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A gorgeous colored lithograph painted by American painter, Benton Murdoch Spruance (1904-1967). Signed and dated in the lower right corner, 3/25. 

Dimensions: Lithograph 14" x 21 1/2". Framed 23 1/2" x 30 1/2". 

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Benton Murdoch Spruance (June 25, 1904–December 6, 1967) was an American painter, printmaker and architect. A long-term faculty member and chair of the Arts Department at Beaver College in Glenside, Pennsylvania. He subsequently chaired the Printmaking Department of the Philadelphia College of Art. 

He became known as "the dean of Philadelphia lithographers", according to The Philadelphia Inquirer.

Born in Philadelphia, Pennsylvania on June 25, 1904, Spruance was employed as a clerk in an architect's office while pursuing architectural studies at the University of Pennsylvania. During this time, he also taught himself to do graphic sketching. He was subsequently awarded a scholarship to the Pennsylvania Academy of Fine Arts. Awarded two Cresson scholarships to pursue additional studies in Europe, he created his first lithograph while visiting Paris in 1928.

As a printmaker, Spruance was known for his innovations in color lithiography with series of works relating to mythological and religious themes, as well as portraiture. His work was part of the painting event in the art competition at the 1936 Summer Olympics.

During the 1940s, he garnered two first place honors in competitions hosted by the Library of Congress. In 1941, he won the library's National Exhibition of American Lithography prize, and in 1948, he was awarded first prize at the library's Sixth National Exhibition of Current Prints.

In 1959, his work was exhibited at Lehigh University along with that of George Harding and Schilli Maier in an exhibit organized by Francis Quirk.

In 1965, he was awarded the Philadelphia Art Alliance Medal of Achievement.

After a thirty-three-year tenure at the Philadelphia College of Art, Spruance retired in 1967. That same year, the college hosted a retrospective of his work in September and early October. Featuring examples of the more than four hundred prints that he created throughout his career, more than half of the showcase was drawn from art that Spruance had created during the 1960s.